From the Memorial Auditorium, to short-lived dance venues, to picnics Jim Carrico's Rock posters and handbills spread the word for a wide variety of events. In the late 60's heyday of the Avalon and Fillmore, Carrico's creations reflected the same wave of psych-art and touted the same bands as the more famous prints from the Bay Area. He was a favorite of Tower Productions, Russ Solomon's ten-year foray into concert promotion.
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